Showing posts with label Visual Kei. Show all posts
Showing posts with label Visual Kei. Show all posts

2017-02-09

Flashback to 2010 - Flowers for the Broken Spirits Live.

I miss this band.

Click image for a gallery of my flashbacks (facebook)

Gunma, Visual Kei, Metal,


Follow these social accounts for more of my live music photography and the Japanese underground.

YouTube - http://bit.ly/darcjp666






2013-09-26

7 Days & Minutes (2013-09-16)

MONDAY: TYPHOON! 00:00:00
TUESDAY: HELLO 00:01:10
WEDNESDAY: No Pants! 00:02:00
THURSDAY: Tokyo Station 00:03:00
FRIDAY: FollowFriday - Nagi (bass) from DevilVi 00:04:00
SATURDAY: Emergency!!!!!! 00:05:00
SUNDAY: darc.jp 00:05:43

Take a look at my photography portfolio: http://www.darc.jp
follow Nagi: https://twitter.com/nagi_negi_yagi

2013-09-03

Sexpot Night 2013-08-24


edited: 2013-09-24 Mixed up Nowhere Divine's Bassist and Guitarist's names. Thanks Mike ;)

I have been buds with Ryo from Sexpot Revenge for a while now. He always invites me to these events of his on FB and whenever I meet him in moshpits or at the store he keeps asking when I intend to attend one. When I was in Gunma however, getting here wasn't the easiest task.... Now I haven't got that excuse anymore

meh club

2013-08-27

7 Days 7 Minutes (2013-08-19)


Monday: Endless Rain
Tuesday: I am the 99%
Wednesday: Shibuya (Again)
Thursday: transporting livestock
Friday: FollowFriday (http://xiirosary.blogspot.comjp/)
Saturday: Sexpot Night
Sunday: Sexpot Night Continued

2012-11-02

UNDIVIDE One-Man Live Tour "SAME SIDE (BOYS ONLY)" live report

1ab7e6e3411b59e9pic from the interwebs.
Undivide is Leda's (ex.DELUHI) new project. I heard the announcement at Sujk's live and have been waiting to see them since then.
I was planning to go to their tour final on the 26th and group it in with Loud Park 12 but when i checked their live schedule and noticed that they were having a boys only lave the week before.

2012-10-22

Buck Tick ON PARADE 2012 <LIVE REPORT> PART 1

Logo
On a rapidly warming Saturday morning I took the train bound for Chiba. There were the usual disney tourists in their mickey mouse shirts. There were the gamers and otaku on their way to the Tokyo Game show. Then there were the band shirts, the black clothes, the big hair and the clashing colours. 
As we passed the mass market distractions and their consumers had dis-embarked they were all that was left.

They… We were heading to Chiba Port Park for Buck Tick's 25th anniversary. The Buck Tick Fest. On Parade 2012. and what a spectacular festival it was!
buck tick fest 2012

2012-06-01

VERSAILLES spring tour 2012 @Takasaki ClubFLEEZ 2012-05-20 LIVE REPORT

The first time I saw Versailles was at the Chateau du Versailles tour final a long arse time ago... The last time I saw them was before they officially announced Masashi as their bassist That was pretty damn spectacular, but since then, I have been to some even more amazing live events and while the memory of the first time will never fade, the impact has since been superseded by the likes of Children of Bodom, BLOOD STAIN CHILD and Deluhi. On the 20th of May 2012, Versailles struck back!

2012-04-13

Sujk「Arkhelism Live」(2012-04-07) Report

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Super live theatre AREA in Takadanobaba was a place I have never been before. A place I may have never have gone if it were not for the former drummer of DELUHI’s side project.



Yes. All of you who listen to my streaming radio show, or listen to Visual Kei should know how mind spankingly amazing DELUHI was. It was rough when they broke up. Every song of theirs i listened to reminded me of all the times i had seen them live and all the times I would never see them live again. Then Sujk made Arkhelism. Though despite being an awesome album, hearing Juri’s voice and Leda’s guitars supporting Sujk’s barrage always stirred a little self pity. When a friend was over from SA we listened to the album together and commiserated all the wasted potential and live shows that were never to be had when a random search on Google turned up info on a series of live shows to promote Sujk’s solo project. I fired up eplus and got my ticket well fast.

The show started off like many DELUHI shows did, with a recorded interview which explained the name “Arkhelism”and had a cameo by Sujk’s silly death voice alter ego. Insignificant crap IMHO but it was nice because it reminded me off all the epic lives that had come before.

When the curtains opened however, The real fun began. They played every song on the album and even played “believer” twice (once in the encore) Juri was the only other member of DELUHI who performed in the live project, even though Leda did do some guitar work on the album. Guitars were shredded by Tatsuaki Sakai from MI-RO-KU, bass was tickled by Yushi Tsuchiya from Twilight NEO and secondary vocals and samples were handled by #14 from DEFINE STRICT. The music was tight and well performed and the songs came alive in ways that not even an album as good as Arkhelism could capture. The small venue and the rough, unpolished informality of the event made it more real than any DELUHI show ever was, and I am willing to bet that connection between the band and the fans was the reason they played above and beyond anything I would have expected them capable of.

“The bass drum dictated the my heart rate and the rest of my body wanted desperately to follow…”


Sujk wrote and arranged everything and so the drumming stands out a whole lot more than most other bands. In fact tit was probably the first drum driven hardcore I have ever seen in Japan. That said, The execution was way better than a lot of the drum driven international acts I have heard (admittedly I have not seen any live before) Regardless. the drums were tight, hard and most importantly, could be felt more than heard. The drum solos were precise tight and surprisingly creative. I have never been a huge fan of drums and honestly have never been interested by drum solos before. Not even the DELUHI ones. There was something about his drumming this time that stirred me in ways that only the guitar and bass have done up to this point in my life. The bass drum dictated the my heart rate and the rest of my body wanted desperately to follow.

Juri’s vocals were on par with the drumming. In short. It is the best vocal performance I have ever seen him give, seeing as it was the final show in the Arkhelism Live tour, I am willing to bet it was truly his best performance EVER. I have been to all but 2 of DELUHI’s bigger tour finals and I have seen the DVD of at least one of those that I missed. Juri hit notes I never knew he could and held them. He was approaching Daniel Heiman heights at one or two points. Yes he was pushing his voice to the limits. The passion on his face while he was singing showed he was at his max, but it held. and it held well. His screams to were more varied than I have ever heard. Any points that sounded like recording tricks or mixes on the CD he actually screamed. I doubt he would have explored the extremities of his voice this well had it not been for the solo project, as there were more than a few times where he sounded amazing but nothing like DELUHI. No recording could ever capture it. No report could ever truly describe it.

“they could not only harmonise their screams, but hold the harmony while they varied their pitch…”


Juri was not alone in the vocal onslaught however. #14 was my favourite surprise of the show. He had a deeper more traditional hardcore scream than Juri and he does not come from a big band with a large pack of fans that need to be pleased. He had a more  brutal hardcore edge that I liked about the Arkhelism CD the first time I heard it. He made it proper metal. My metal. Having him there also created something that I had never seen performed successfully in a Japanese band before (and very few international ones do it well at that)… The scream harmony. Juri and #14 Their different tones and professional control of their screams mean they could not only harmonise their screams, but hold the harmony while they varied their pitch. I doubt this is anything new but It was the first time I have seen it executed this well live while still retaining all the passion and energy that comes with the one off live experience. I also like # 14 a little more because he seemed to be singling out, making eye contact and showing the horns to all the actual metal fans in the audience (myself included). My domo-kun shirt didn’t scream metal-head but all warriors of steel know who their true brothers and sisters are.

Guitars and bass were support. They were not bad, Not at all, but Tatsuaki and Yushi were not quite big band skill level. Not yet. but there was precision and professionalism which counted for a whole lot. I felt the guitar was probably the weakest link but despite that he never once let the music down. Because the drums were in the driving seat and they were perfect you could overlook the places where the guitars were just not Leda. If he was, it might have been too much awesome in one place though. As it is, It took more strength and willpower to hold back storm than I knew I had.

If Leda was there and on par with Sujk and Juri, I would have had no choice but to release the beast. Sadly the crowd was not one that would understand, nor one that would be capable of sustaining a pit to match the power of the music. The venue was also laid out in a way that promoted herd mentality synchronised actions that plague VK (it’s ok to be different as long as everyone is the same different at the same time). I daresay though, even if there was a mosh to be had, there was not enough actual space to get fluid movement. It’s OK though, I have stored the energy up and will unleash it to ARCH ENEMY at Yokohama Blitz this Saturday. Blitz indeed.
Yes… Arkhelism Live.

“Yo from Matenrou Opera made a guest appearance and he brought with him his 6 string bass”


The real treats came with the encore. As they usually do. Those that care (and many do for some reason) will be pleased to know that Juri got a cake for his birthday. Yes that is a big deal to many of the online fans it seems. More important though as the man who brought it out. Yo from Matenrou Opera made a guest appearance and he brought with him his 6 string bass (with the cool LEDs on the neck) While he is no Masashi or Yu-To (That's Leda’s other name) He can still rip it um pretty damn well. With him on stage they tore up a cover of “Battery” by Metallica. This was epic on many levels. Firstly, as Juri explained before they played. It is a very famous song, but not everyone in the room that night would know it. I love it when VK artists show their true colours and I love it more then their rabid fans are taken by surprise. Which is what happened. Battery being Battery, every metalhead in the room was psyched while the hyenas looked desperately to the stage for directions on how to wiggle their fingers. Mainly however, it was a testament to Sujk’s drumming. because even with Juri’s amazing voice. He is no James Hetfield. Sujk however would have made Lars Ulrich jump out of his skin. Yes. He is that good a drummer. He just never got to show it until DELUHI broke up.

Which is why I am stoked. Yes the show marked the end of the lives associated with Sujk’s solo project. While there may be more in the works it wont be here for a while and the band will likely be different. But there will be more lives. Leda has announced his solo project which should be equally amazing. Who knows. Maybe Juri has something in the pipe of his own as well. DELUHI may be no more but the talent, power and sheer awesome that they brought to music will continue.

2010-06-07

Deluhi BLITZKRIEG Tour Kickoff – Shibuya O-East – 2010/06/05 ~ Live Report.

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“It is possibly as good as a live could get without a moshpit.”


My 3rd time seeing DELUHI and my 2nd DELUHI One-man. Its Official.They are my most watched Japanese band. I kinda felt like a veteran this time. I actually could do a comparison and more importantly, I had expectations.
The set at SCUBERDIVE 09 was simply a taster for me. The YGGDALIVE One-man ripped me a new one and this one took me to levels of ecstasy that I have not felt since Loud Park. It was good. It is possibly as good as a live could get without a moshpit.
I am afraid this time around I have not been able to find a set list to shamelessly copypasta as I did the last time because I am unable to find any other reports from this show… Well not yet anyway. I am on the ball for a change :D
From here on out there will be a fair amount of comparison to the YGGDALIVE show. The venue was the same as the last time, the it was the same, The crowd was bigger but only just. It was a sell-out show but I personally could not tell the difference in crowd size they couldn’t have missed it by much the last time.
The crowd itself was a good ratio in the male-female department but there was still a severe shortage of actual men.
The set itself was shorter and tighter. there was a lot less fan interaction, only 2 short solo intermissions (drum and guitar) no major onstage fan service antics and 1 encore. There were fewer tracks to boot.
It was a Tour kickoff after all. One cannot expect 110%.
Despite this they managed to exceed my expectations and my previous experience by a large margin.


The band walked on without much of an intro or any real ceremony and as you expected some sort of long welcome to the tour musical interlude…

BANG!

REVOLVER BLAST… The last major single that was released before the start of this tour. and the start of the show. It did the job. Imagine strapping yourself onto an atlas booster rocket and lighting it off. They wasted no time in telling the fans that they were here to rip it up and play their tunes. It hit hard and fast and set the pace for the rest of the show. In fact with the exception of Shade and Remember the Rain there were no slow tracks and almost no pauses between them either.
F.T.O.… The track was new the last time and as a result did not have the charge that only a well loved song can. This time that was not the case. From the moment Juri let the vocal intro out into the mike, it was like someone flicked the nitrous switch inside me. Up until that point I was headbanging and flailing somewhat and generally going apeshit. nothing beyond the usual… F.T.O. managed to kick me into the realm I like to call ‘Bodom Space’ the point where one’s own health starts to become secondary to the show. The holy grail of live music and for all intents and purposes the only reason to keep living. They didn’t take me all the way… The rigid inability of the fans to discard reason kept me back. I screamed myself hoarse. headbanged myself dizzy and elbowed at least one ball and chain (hyena’s mate) in the shoulder.
But the music. Oh the music was orgasmic.

“it was like someone flicked the nitrous switch inside me.”


Remember the Rain… or DELUHI’s biggest mistake as I like to call it. It is a crap song. make no mistake. but due to the cocktail of awesome flowing through my veins and in my brain The song didn’t suck… It was a moderate improvement but they did change it a little. They unleashed Leda. His solo was beautiful. He played expertly and sent the chords screaming through my soul. He singlehandedly redeemed the song. I can even listen to the recorded version now.
Baby Play… “We should return to 0 now! We Should return to A now! We should return to our births now! Baby play, its just baby play.”
Two Hurt… As with the YGGDA-LIVE they ended the night on an epic note. My favourite song of theirs. The song that made me a fan of theirs. One of the few songs that truly changed my life. Seeing any one of those truly soul shifting songs live is beyond my vocabulary to describe. This song has transcended music and to me at least is not simply one of my favourite songs but an integral part of my life. I would not be the man I am today without it.

A truly amazing live.


Better than I thought possible. The prospects of what the August the 1st final at ASAKASA BLITZ has in store is spine-chilling.






No I didn’t forget.








FRONTIER… The new single. The track that has hyenas wetting their frilly underwear on the facebook group and YouTube and twitter and just about every where else those misdirected decom-posers happen to congregate.
And with good reason. Many of DELUHI’s actual new stuff has been tacked on to what are essentially re recordings off the stuff on Mahadeva, Jaganath and Visvarit. It has been some time since we have had a proper new track with it’s own hype.
It was well worth the wait. It does not hit you in the face and force you to contemplate 42 as REVOLVER BLAST, s[K]ape:goat and F.T.O. do. To be honest it is a little step away from the standard DELUHI model. It was the logical next step that they were looking for after SHADE. Where SHADE was a support track, FRONTIER comes into the fore. Musically the band have reached the next stage and they can only get bigger and better.

It is good.

By now you have all probably seen the PV and heard it and think whatever you think about it. So all I have to say to that is that I was one of a select few that saw it first. LIVE…
This is where I would usually say ‘so f@ck you’
but it gets better because the global premier for the PV was at the show as well. After the band left the stage, They put it up on 2 big screens in O-East…

SO F@CK YOU!


And in case you have no Idea what I am going on about… Its already up on YouTube.
enjoy!

2010-01-21

Deluhi – Yggdalive One Man – 2010/01/09

 
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Yes. This is late. This time I actually was genuinely too busy instead of lazy…
Deluhi is my favourite band in Japan. I was waiting to see their one man to publically admit it, but I think anyone who listens to my show or talks to me about VK will have probably figured this out by now.
Having missed the O-West one man I made a special effort to get me a ticket to this one (I did it a whole month and a half in advance… which is late by ravening hyena standards, but I am not one so there.)
For a change I was not alone. Jans joined me on my escapade and broke his VK live cherry at the show… which I must ad is way more than all the yank supposed Visual Kei fans I have met so far… there I go, bitching again… BUT F F S!! if you are going to go around calling yourself a VK fan put your money where your hole is and go to a bloody show… Don't use the fact that you don’t know Deluhi as an excuse to cover the fact that you still think Malice Mizer is still around and that Dir en grey just released Gauze… get with the programme!!!!

ok ok, i will continue…

Jans and I had “C” tickets so we were right at the back but like all shows I go to here, it didn’t affect my ability to see anything. Being late in means that we didn’t have to wait too long to get to the action. In the short time that I did wait I met a guy in a Hibria T-Shirt… Japanese but lived practically his whole life in the US so communication was not a problem… HOLY SHIT A FELLOW METALHEAD AT A VK SHOW!!!! too good to be true. Admittedly he was not huge but he was steel and that makes up for size… He could have given hell in a real pit. We chatted, talked and bitched about the same things… yeah Its good to find someone else that thinks that there is too much pussy and too many pussies at VK shows. We were not alone though.. there was a very good ratio at the show and many looked like they could have gone in hard. Hell there was even a girl in a Children of Bodom T-Shirt, so at least at Deluhi shows.. there is hope.
The show cut us short however because even though we had no pit, as soon as the intro was done they ripped straight into G.A.L.D. I mean ripped… as in ripped me a new one.”

 

“I mean ripped… as in ripped me a new one.”


I have a setlist this time! which I shamelessly stole from here :p
Overture-Yggdalive-
G.A.L.D
REVOLVER BLAST
s[K]ape:goat
-MC-
シェイド
flow snow
WAKE UP
LORELEI
-Leda solo-
HELLO
-MC-
F.T.O(新曲)
Rebel:Sicks,Shadow:Six
HYBRID TRUTH
Orion once again
星の無い夜に
-ENCORE-
-Leda solo-
-MC-
Baby play
Two hurt

As you can see they pulled out all the stops… They thoroughly entertained us and they fed off our energy. Despite not being totally sold out I would say that not many more than 20-30 could have been shoehorned into the venue… but this IS Japan so maybe 60-70? despite this there was barely space to move, and when Brian and I got Our heads flailing we there was even less space… for everyone else.

LORELEI… Leda’s acoustic guitar was hot shit… and his hand work on it would have (and did) given many of the hyenas something to fantasize about… Impressive playing. Even more so were his Solos… his first one was a Mozart and his second one was random old school anime stuff.

“Deluhi is a Metal Band…”


Leda (Yu-to) is a metalhead. You can dress him up like a manorexic lady boy but when he shreds, he is pure brutal steeeeeel! Deluhi is a Metal Band… there are purists on both sides that will give me shit for this statement, but Purists don't know shit about the music they listen to because they don’t have the balls to experience all the other aspects that make their music what it is… Yes, this is my way of saying f@ck you to the stupid hyena fan girls that don't get out of their VK closets and the dumbass metal puritans that ignore the music in VK because the artists look like manorexic lady boys (they do too!)

Orion Once Again… the sing-along version… I think we all sang the chorus 12 times… at the band’s insistence… 4 times were without music. I was both surprised at the fact that apart from a few words I had it down without ever reading the lyrics. but mostly I absolutely loved the connection. I honestly felt that at that moment, every single person in that room was one with the band. I mean there is always gratitude toward the fans from bands but that song was not them playing for us, it was about us being there for them.
Two Hurt… well it was the last track of an amazing show… there is nothing I can say to describe it. Orgasmic would be a horrible injustice. It was so much more.. It was the culmination of my existence… yes. for a brief moment… 3/4 of the way through. It touched the same [art of me that Children of Bodom did. Were Deluhi THAT good? not the whole way through, but it was the first time a J Band took me to that level of ecstasy… I am willing to bet that if there was a pit, It may have even been 40% of Children of Bodom. Which if you think about it is pretty impressive. Versailles only hit about 25% and Blind Guardian was about 23%. admittedly I had no Idea what 100% was till I saw COB so this whole scale could be a messed up attempt of trying to rationalise irrational sensations. Actually I am lying… Deluhi Themselves provide us with a word that truly explains these very sensations…

It is the process of being Yggdalive!


It left me with an adrenaline rush of note, which died just as I got into Club Atom later that night… sadly without any chemical assistance there was no way I could get myself going enough to enjoy the club so I ended up retiring in a Massage chair in a net cafe. Jans kept going though… Don’t know what he did, but I hope he used a condom when he did her.

2009-12-26

exist†trace ~Ambivalent Symphony~ Live Report (2009/11/22)

newgirls
Yes this is about a month late, but better late than never.
Sadly no hijacked photos from this show... The venue was small and the walls were plastered with NO PHOTO! posters.
Firstly lets talk about the venue… The legendary Meguro Rockmaykan. Since before i came to Japan, the Meguro Rockmaykan was a name I had heard. Some of the biggest names in the JRock world have played here. I was expecting something like Shibuya O-West or at least Harajuku's Astro Hall. I was rather disappointed. it was tiny. VERY tiny. Club Fleez in Takasaki is bigger. The walls are dirty and the decor hasn’t been changed since the 80s. It was a hole. Hell it even had seats. Not quite what I had expected… Till the band started playing. A tiny venue makes for amazing sound and a very personal live experience with the band. The aspects of the live house that were a disappointment became a blessing when coupled with the stellar sound. The seats were still stupid though because nobody used them :p

In the end however the One man is about the interaction. The 2 hours of rapture where band and fan become intertwined in a web of music. 2 hours in a lifetime where there is no world. Where your life exists purely for that moment.

It was bliss.


Having already had a taste of exist†trace before, I knew that I was in store for a phenomenal show, but the degree of energy and for that matter the sheer power of their one man was staggering. It was particularly impressive considering they are all substantially smaller than one expects. YES I know they are Japanese girls and compared to me most Japanese girls are tiny but still. Maybe it is their image and power, or maybe its my fandom, but their real life size was even more of a shock than when I saw Hizumi from D’espairs Ray for the first time.
I think that somewhere someone once said that size does not count… Its what you do with it… existtrace are proof of that.
2 hours of rapture ensued. I could go on about individual songs and how Jyou touched some impressive notes, or the tightness with which the music was played and the emotions I felt through the show but this is not JAME or JRock NYC or any other fangirl frenzy feeding VK fapsite… No it is Darc’s blog and if you know Darc you should know how I react at lives and when the band happens to be one of my favourite ever bands the results are somewhat predictable.
It was no @Versailles_P_Q live at the CC Hall I‘ll admit, but it was pretty damn awesome. They played EVERY SINGLE one of my favourite songs and many of those that I liked a lot. They paced their show well…It was split into 3 parts with 2 encores with all the hits spaced throughout. They gave you time to reflect on their awesomeness and digest the music properly so you could really get the most out of the show. There was also some amazing emotion. Jyou even cried at one point. (as did many of the fans). It was a connection unlike any other.

It was amazing… did I mention that before?


One more thing i need to mention was the demographic. There were actually men at the show. Yes. the ratio was at least 60/40 male which was a big shock… there were even some men who had testosterone, though we were fewer in number. There were some pretty boys but the majority of male fans looked decidedly Akiba. Yes. Exist trace Otaku… Who would have thought? So while I did get a ratio closer to what i feel is a decent level, It did still lack the hormone balance Loud Park had, but yeah, They are not metalheads so it is to be expected.
I wonder if it would be mean of me to call them Jackals (counterpoints they Hyena quite nicely don’t you think?)
Yeah I am a bastard to fans here. I am sorry… no actually I am not sorry.
Who cares. I had an amazing time at the Ambivalent symphony one man… If their next one man was not on the same day as Deluhi’s Yggdalive one man, I would be there like a bear!

2009-08-10

Jasmine You has died.



Another skilled musician goes off to join Hide's new band.
You will be missed, but your music will live on.


Article from Versialles official site:
2009.8.9 更新 「Versailles」より緊急のお知らせ

兼ねてより体調不良にてお休みをいただいておりましたJasmine Youですが、8月9日未明に永眠いたしました事をまずここにご報告させていただきます。あまりに突然な出来事に、メンバー・スタッフ共に今はまだ茫然と現実を受け入れることで精一杯です。

詳しい事がわかり次第、ご遺族様の了解を得たうえでご報告をさせていただきますが、ファンの皆様もどうか冷静に受け止めて頂きたく存じます。

また、現在発表されております活動に関しましては、当分見合わせていただきます。


Translated version: 2009.8.9 「Versailles」 Urgent Announcement

Though Jasmine You had taken time off in order to rest because of poor physical condition, we received a report that early in the morning on August 9th, he died. Because of the extreme abruptness of this news, the members and staff are all dumbfounded and trying hard to accept this it.

As soon as his family has been notified and updated as to the details and we receive their permission, we will further report to all of the fans.

Moreover, with the current announcement, in regards to activity, please allow us to postpone it.
(WIKIPEDIA)

2009-08-06

ScuberDIVE 09 - Shibuya ga Taihen

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This past Monday was the Shibuya ga Taihen leg of the Scuber Dive festival series.
It was TAIHEN(very tough) indeed. 76 bands 7 Live Houses 7000 Yens and the best rock fest since I left SA. I obviously didn’t see ALL of the bands but i did get 12 of them and most of those that I saw passed the ultimate test… The managed to make me rock out hardcore despite the little girls getting in my way.

IMG_0100  black: my plan before the show. green: how it turned out.

There are others who are more obsessed with Visual Kei as a ‘sacred’ and ‘pure’ musical genre who will give much more ‘in depth’ reviews of the festival. I am not obsessed with VK as much as I am obsessed with rocking out to good music so the following Mini Review will be based more from a veteran of many live shows across the rock spectrum POV not VK obsessed blinkered fan girl… How the bands felt live to me, not what colour eye shadow Hizaki was wearing.

Girugamesh.
I got in as they kicked off their set. I literally opened the door as they started and was blown aback. They were on the O-East main floor so it was pretty big and the venue seemed packed to the gills. The set was professional and hard. I like the vibe they gave off… It was a lot more like a live back home than a VK live in Japan. I didn’t have the most prime location.. but I did have enough space to head bang properly (which feels so weird without hair) I like how the band didn’t give the hand flapping any encouragement but then anyone who knows me knows how i feel about furitsuke. In fact the music was way more conducive to wrist-breakers (the fans who flick their limp wristed fists in the air thinking its a punch) than furiers. Giru were very powerful. Pity about the shortness but then cramming 76 bands into half a day does require sacrifice. The only downer for me is that they had first band syndrome for me… Would have preferred them after I had warmed up a bit.
TLDR: Girugamesh was hard fast and great fun.

Deluhi
The star performance of the day for me. I entered Duo with high expectations. Out of all the bands there I wanted to see Deluhi live the most after missing out on tickets out their previous one man shows. Their music is out of this world, a great mix of European and Japanese styles. i hear so many of my favourite Scandinavian bands in their sound yet the fusion of that with Japan has truly produced some of the best music on earth… ok enough blowing sunshine up their arses. Needless to say I was expecting  A LOT. They delivered… and they didn7t even look like they were giving it 100% It honestly looked like they could have put even more energy into the performance which makes me wanna see a longer show soon! The also played their new single which will be out on the 8th of August. Its no "Two Hurt” but then I have only heard it once so yeah. What I particularly liked is that I knew many of the words (which is rare) so it charged me up more and letting lose the screams with full energy put me into battle mode! good thing there was no moshpit… I may have had the need to give a demonstration on how its REALLY done. I did elbow a chicka in the head by mistake… that's what happens when you walk behind the giant(foreign) guy that's punching his (non limp wristed) fist into the air while screaming like a berserker!
TLDR: Deluhi blew me away. Thoroughly fantastic!

M
I screwed up… My brain was deep fried in Deluhism and I only gave it some beer and an Onigiri to recover. My intent was to go to O-Crest to see LiZ but i went up to O-Nest instead (crest nest pest whatever) By the time I got there I realised my error I just stuck it out there cos i didn’t feel like going down 6 flights of stairs and up another 5. I was not disappointed with M, but they are not LiZ. Having said that I did love their vocals. Deep and rich… somewhere between Kamijo and Gackt but that's not very accurate. The music was decent but the band did not seem to have the passion that the vocalist had on the day. They did do a good job though and got me head banging… but They WERE after Deluhi. It cannot be helped I suppose.
TLDR: M are a good band but I was still recovering from Deluhi

Deathgaze
Apart from some MP3s which I have come across on the interwebz I did not know much about them besides the fact that they were hard. I got to the venue after they had just started and it was packed, and i do mean PACKED! my height was a winner but even then from the entrance it was hard to see the stage. I did see the vocalist and was surprised! He was a big guy and not just in length (well compared to me he may even be small, but for a VK vocalist, he was huuuge) I was very happy to see this. The music was actually not all that brilliant however. I cannot really explain it but because of the vocalist’s size and the fact that their sound was some of the most metal VI I have heard, the bar was set higher for them in my mind and they just couldn't reach it. from a purely metal perspective… they were about as good as a middling metal band back home… Not as good as ...and Chaos or Elegy, Nowhere near SacriFist and Architecture of Aggression and not even in the same solar system as the Scandinavian Metal gods. Though for what Its worth I missed the brutality and skill of South African Metal a lot after seeing them. We have some BRILLIANT stuff! OK back to Scuberdive.
TLDR: Deathgaze’s vocalist looks cool but their music lacks brutality. Metal without Brutality is sad stuff.

Versailles ~Philharmonic Quintet~
I need not go into the depth of my love for this band. They are a fusion of Power Metal, Kamijo’s Voice and the theatre. Their C.C. Lemon ‘Chateau De Versailles’ tour final last year was mind raping. Hell it was even better than Blind Guardian which was a pretty hard show to beat. I had extremely high expectations. I was planning to miss Danger Gang for them. but they pretty much sucked. I mean they were good… they are just too good as musicians not to make decent music but Jasmine You was missing due to ill health and as a result they played with an off stage replacement bassist who did not know the songs too well. In addition to that you could see that the band was not really giving it their all. I cannot blame them, I mean their bro was down they did not enjoy playing without him and it showed. After 13 mins or so i said stuff it and went back to my plan. I was disappointed that they were not up to scratch but its Versailles. I already know what they can really do when they are in form.
TLDR: Versailles lacked Jasmine You and as a result was not up to scratch.

Danger☆Gang
The band that never fails to WIN! I will admit the fan boy in me comes out for bands like Danger☆Gang and exist†trace… why (as if it were not OBVIOUS) they are all female! I have also found that all girl/girl fronted VK bands tend to go the extra mile at lives. I am not too sure why but even bands without the mind-blowing skill of Deluhi or Versailles put on live shows that are pure energy. Danger☆Gang are one of the most genki live acts I have ever seen. EVER. (admittedly it was before I saw Decopin.. but that's the next review) Their set was short as they were at O-Crest but it was a pure energy filled short set and most of the fans were established fans not first timers so the vibe was good. Their crowd interaction is second to none and it seemed like they engaged with every member of that audience personally. Its a nice touch. Makes you wanna give the band your all because they make you feel like you are the number one fan. It helps when you have the loudest roar in the room (and for a change new some of the lyrics)  too… but yeah. While not mind blowing or brutal. Danger☆Gang was fun. good fun and I absolutely loved their set.
TLDR: Danger☆Gang played a fun set which was made of battle and WIN!

DecoLa Hopping
I bumped into Decopin’s  first single Papillion not too long ago and was very pleased with their sound cute and fluffy juxtaposed to brutal hardcore. I mean what better mix is there. Little loli murderous rampage. which is exactly what they sound like. Firstly contrary to my previous assumption, They are not an all girl band, just a girl fronted band… Loli fronted would be better and the fact that said loli has a roar to rival mine makes it even better.  One thing I do like is even the brutal music has a kawaii bounce to it. Its fun, Its brutal. and I think it would go down really well in South Africa. I was pleased. They were better than I expected and it was great to hear more of their songs. I was sad to see the crowd though… there were only 12 or so peeps (me included) up at the front going berserk while everyone else just kept to the outskirts. but the music was good enough to block out the failures and focus on the win.
TLDR: Little loli murderous rampage! with bubbles.

Born
These guys were the first surprise for me. I was not expecting anything epic… great but not epic. Having seen a few PVs and heard many of their songs I was definitely keen to see them live but the quality of the recording or something hid their actual talent. In person however they they were epic indeed. Scarily so. I needed to re adjust my mental state to truly appreciate how much better they were on stage than recorded. There was an edge, a power that captured everyone who was watching and just entranced us. I even joined into one of those hoppy skippy excuses that pass for moshpits at VK shows (I had to keep my arms clear so as not to elbow the little girls in the face) and even more surprising was that 4 crazy looking girls actually found me rather amusing (something about body-slamming an immovable object?… I dunno) I also got to witness a new move that I had never seen before. basically the ones at the front lean over the bars in front of the stage with their asses in the air (yes… pink with black polka dots.. but that is not the point) then the ones behind take turns to body-slam them. It was the closest thing to any real power I have seen exhibited by the ladies that frequent VK lives.
TLDR: WAAAAY better live than recorded. Panty shots from fans were included ;)

Megaromania
The other power metal driven over the top theatrical band I got to see at the festival. Musically great and very powerful indeed. They reminded me somewhat of Versailles which is a pretty big influence on them. It does feel a bit second generation and watered down though, what I mean is that there is not a lot of musical linkage back to the steel from Europe. You can hear the euro steel in the Hizaki Grace Project and subsequently in Versailles. You can hear the power and melodic death in Deluhi (and Leda’s other band is Galneryus which is one of the best metal bands in Japan) Megaromania sounds like they are influenced more by the Japanese version of the power sound. Its not a bad thing but they have yet to evolve it into their own unique sound. Basically They sound like other bands at the event. The were not the band that the other bands sounded like, if you get my meaning. It did not detract too much from the show however. I still had a blast to them. I particularly like how the vocalist used one of the girls doing the panty shot body-slam thing as a foot rest. Yeah he planted his boot square on her back and struck a pose while singing. After he raised his foot she went all fan girl berserk… as If god himself had trampled upon her. When I am a rock star, I wanna try that :D
TLDR: Powerful band though the sound was a little lacking in the originality department.

VanessA
Like Deluhi, I had extremely high expectations from VanessA going into the live. I got into O-Nest as they started playing and i was greeted by the aural assault that I was expecting. They are a truly brutal and powerful band. which suited my adrenaline (and no small amount of testosterone) fuelled mood. Got me going almost instantly. One thing i did see is their clean vocal stuff which i tend to skip through when i listen to their singles but that is just cos I love their aggressive sound. I honestly feel their clean is not nearly as developed as their hardcore stuff. Though I reckon others may disagree with me on that.  Basically If there are no screams and smashing riffs their sound does not feel special in any way (to me). While I was in a hardcore mood at the festival I do like chilled and clean melodic JRock sounding VK as well so I hope as they develop they address this. The show was short but it was good. and that was all that mattered. (post note.. I have listened to their more clean stuff since the show… I still maintain it does not stand out from the crowd like their hardcore does.)
TLDR: VanessA’s hardcore sound sets them a bar above many bands but their clean sound is run of the mill.

Chemical Pictures
I have been reading Jimi’s (the bassist) blog since Chateau de Versailles and when Chemical Pictures was formed I was always keen to see what they sounded like. Not every band has an American member and I was keen to see how different they sounded. I even skipped Tokyo Mikaeru’s set to check them out. I figured that they were playing at O-West so they had to be good enough, but I basically had no idea what to expect. The opening instrumental got my body flailing which is always a good start to any set. As for their sound Its very hard to accurately describe especially after such a small dose, but It was awesome. I heard many rock influences that I have never heard in VK before which was pleasing. They were no metal band but they did have a fair amount of hardcore in them which was good on the day and the most important thing was their passion. They were giving it their all, so much so that Tenten (The Vocalist) forgot the words to one of the songs :p. That aside though they took a tired and worn out crowd and extracted even more energy out of us. It was skilfully done and I had a great time. Chemical Pictures is now added to the list of bands that I think are worth following.
TLDR: Pretty damn awesome! I wanna see/hear moar!